Friday, October 14, 2016

Pot Holders :: Your Culinary Partner

I was surprised to see my tote of pot holders had dwindled down to three sets!  What?!  How the heck did that happen?!  Making pot holders seems daunting at times, and then I get going and find my groove.

Making a small morsel (pot holder) to compliment your culinary pleasures ends up being a joyful creative day!



Do you label your totes with what's inside?  Some totes I definitely know, others can be a trip down memory lane!



When I make my pot holders, I think of them a mini pieces of art.  Small, unique and nearly each one is one-of-a-kind.  I may make a few using blues or greens.  I may  make several that are improv.  Or half a dozen that are curves or waves. 



For these small pieces I can use some of my scraps.  Sometimes the amount of one color will dictate what color of pot holders are made.  It also allows me to throw caution in the wind and put together some pretty interesting (weird, strange, different) color combinations.

Right now I'm in the final stretch of sewing on the bindings.  It feels so good to have a stack waiting for the final step!  



I don't think pot holders have to be boring.  They can be gorgeous and functional all at the same time. Right?!  They can be bold, funky and crazy, as well as protect your table from heat.  

These are a few of my favorites.  Teal improv or autumn waves, classic black and red or totally funky green!



The pastel set is really off the deep end for me!  But I kind of like them, probably because they are not my normal colors.  

I always use a layer of Insul-Bright and a layer of batting in between.  And I'll admit...I never add loops!  I know they are pretty standard, but frankly I never leave pot holders sitting (or hanging) out!  After a meal, they go straight back to their drawer!  What's your preference? Hang or not?

 

This one will be first on the binding list tonight!  Black and white, the speck of red...I like it!



I even went 'traditional'?  I often use reproduction feed sack prints for this simple design. The squares are 1", the perfect size for the small prints.  

The one on the right was my first disappearing nine patch!  I know, I've never done that before! There were a few added pieces after the first cut, but I think it still counts!  



Do you make pot holders?  Are you a 'loopy' person?  By that I mean....loops!  

So now, with my pile of hot pads standing high...I can take a break from them!  


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Tuesday, October 11, 2016

Art With Fabric :: Blog Hop

I can't remember when I signed up for the Art With Fabric Blog Hop hosted by Alinda @Tweety Loves Quilting but it was something I was looking forward to exploring. 

The basic idea of the Art In Fabric Blog Hop is to pick a piece of art and let it inspire you to create a quilted piece.  There is a lot of inspiration in the world of art.  I thought about exploring Mark Rothko, Joseph Albers, Harold Krisel, Frank Stella and Howard Kleiner, all amazing artists and full of inspiration.  However, I decided to go a different route.
THE STUDY OF SHAPE AND COLOR
20 1/2" x 20 1/2"
When my daughter was in college she took a few art classes and would occasionally bring her pieces home.  One piece she left with me has always intrigued me and I always said how cool it would be as a quilt.  I kept it sitting on top of the bookcase for years with that thought in the back of my mind.   

With the Art in Fabric challenge I decided it was now or never!  I didn't really change anything from the original because to me, it was perfect as is.  The colors are right, the shapes are interesting.  Why mess with a good thing.  Plus, it is a good lesson in color harmonies.  



I started with designing two paper pieced patterns.  That way I was sure I could get the shapes needed.  What I totally forgot was that the block would be opposite the pattern!  

Let's start with the first block.    
Radial Symmetry - Complimentary Colors
This block explores Complimentary Colors on the color wheel.  Complimentary colors are opposite from each other on the color wheel.  The blue-green and red-orange represent this very well.  

The design is Radial Symmetry, which means similar sections that start around the center.  

I had to make the paper pieced pattern for this one in order to keep symmetry and plus, it's just a cool design.  

Symmetrical - Split Complimentary
This Symmetrical block is the ever popular Log Cabin in the world of quilting!  Symmetrical meaning sides or halves that are the same.

The colors are what is referred to as Split Complimentary.  Using the complimentary colors and adding adjacent colors.  


I didn't plan this one very well!  I ended up adding additional stripes in order to increase the size of the block.  

Asymmetrical - Triadic Color 
I have to say, I love these colors!  Vibrant and bold!  Another paper pieced design in order to keep the asymmetry.  Asymmetrical is two sides that are not the same, not symmetrical.

The Triadic Color scheme are colors that are evenly spaced on the color wheel.  


In the case of this block, I used Kona Lipstick, Kona Pickle and Kona Regal.  Slightly off from the wheel. 

Asymmetrical - Analogous
Here's another Asymmetrical version.  I considered using the six-minute circle for this one, but with the block being only 8" it would prove to be too crazy for me.  Instead I pulled out the Steam-A-Seam and did some simple applique.  Layering the pieces on top of each other.  


The last color lesson is Analogous.  Colors that are next to each other on the color wheel.

I have never been one to pay much attention to the color wheel.  I tend to grab what ever moves me at the moment.  The only reason I am talking about the color wheel is because that was the lesson which resulted in the piece of Art I wanted to use.

Enough of all that, let's get to the fun part!!  Quilting and finishing!  I used Kona White for the sashing.  It was sure to make each block stand out and frankly...that's how my inspiration art is!  The center sashing is 1 1/4" and the border ended up being 1 3/4". 

 

I was looking forward to quilting this one!  I love the quilting...geometric straight lines and a block full of pebbles.  I did coordinate thread colors with the fabric.  I wanted the texture, but didn't want it to glare back at me!  The back...oh my favorite!

But first this!  Gotta love that crinkle!



Looking at the back, I'm going to pretend this is my first whole cloth quilt!  That might be pushing it, but it sure was fun and it sure makes me happy looking at it. 



What would a quilt of mine be without a little pieced binding?  (at least on my recent finishes!)  It didn't turn out exactly as planned, but I'm not going to complain either!



I'm so excited for Britt to see this in person.  I think she will be blown away that I took her art and in my opinion...did it justice!  

The Art in Fabric Blog Hop really lit a fire under me!  And not because my time was running out and I was behind.  I had to dig deep!  Except for the Log Cabin block, the other three I had to start from scratch and make it work.  


I hope you will check out the other blogs that are participating in the 'Art With Fabric' blog hop.  This week is full of inspiration and full of art!   

Tuesday, October 11th, 2016 
Carol @ quiltedfabricart (http://www.quiltedfabricart.com)
Janis @ turtlemoonimpressions (https://turtlemoonimpressions.wordpress.com/)
Jennifer @ inquiringquilter (http://www.inquiringquilter.com/)

Jayne @ twiggyandopal (http://twiggyandopal.blogspot.com/)  (ME)

LINKING: 

Wednesday, October 5, 2016

Pixie Ghost ~ Booyah!!

Another project I thought would be a breeze...had a few bumps along the way!  Regardless of the ups and downs I was able to finish two things and mark them off my list.  This little pixelated ghost and interfacing squares.  


Pixie Ghost
18" x 16"
I've had this little ghost tucked away in my mind and computer for years.  Knowing one day I'd tackle it and come up with a concrete idea on what I wanted to do.  That day came, the idea hit, it was time!

A long, long time ago I saw a tutorial on Sew Mama Sew on how to make Quick Piece Tiny Squares.  I always wanted to give it a try and now was the perfect time!


I decided to use 1" squares (unfinished), hundreds of squares, I'm going tiny here!  Like many of my projects, the idea hit and I had to capitalize on it, right then and there.  I grabbed some lightweight interfacing and began marking a grid with my ruler.  The first go around, I made a 1/2" grid. Which is what I wanted my squares to be when finished.  Oops, I had to remark the grid which ended up being a big confusing mess.  I had to go with it since I didn't have any more interfacing.

First problem:  The interfacing wasn't big enough, so I had to use 5 different pieces. 

Second problem:  Marking the grid.  I used a pencil on the non fusible side which was hard to see when it was time to place the squares.  


I have to say, I enjoyed this next step!  I used a washable glue stick and stuck each square on the fusible side of the interfacing.  I first placed the black squares for the outline and once I 'thought' I had it right the real fun began!  Putting all the filler squares inside.  When I say 'thought', I mean I had a hard time making the outline with the five pieces of interfacing.  A few frustrating moments at the beginning and then at the end when I thought it was right.

Third problem:  Confusion with the different pieces of interfacing.  
Forth problem:  It's important to be accurate when marking your grid.  

  

After all the pieces were glued, I ironed the squares on to the interfacing.  At this point you want to make sure everything is lined up exactly the way you want it.  Once they are fused...there's no going back!  I had to make a slight modification in my design because I made a little mistake!


The next step, sewing the 1/4" seams.  This part went pretty fast.  You do have to fiddle with it especially if you have small squares, but it's very doable.  I first stitched the vertical seams.

I'm thinking, those seams...they are going to be so bulky!  My solution was to cut the edge of the seams so I could press them open.  Good idea?  I thought so!  For this part I grabbed an old seam ripper, inserted it at the interfacing fold and it sliced it.  I was thinking this is great!  SO easy!  It was a royal pain in the butt pressing the seams open!  But the seam ripper, what a great idea...

Fifth problem:  Bulky seams.


And then the sewing the horizontal lines.  Here is where you could really feel the bulk adding up! The sections would naturally roll with each seam.  

With all the seams sewn it was time for the seam ripping magic.  Screeching halt!  It wasn't working.  I think it was because of the interfacing and how it's made?!  I don't know.  I ended up having to snip each seam with scissors.  It wasn't fun, it wasn't easy and it made a mess!  
Sixth problem:  Seam ripper action doesn't work on the seams.
Seventh problem:  The seams are even harder to press!

You might be asking why are you doing this?  I asked myself that same question!  Believe me, I was not feeling the love very much at this point.  What kept me going was the hope that it would all come together in the end.  

I still had to sew the five pieces of interfacing sections together.  I thought doing it after the seams was the best solution.  The jury is still out on that one, I may try something different next time...like using one piece of interfacing or using bigger squares!  As careful as I was to make the grid and layout the pieces, I had a difficult time lining up the squares.  It's amazing how off things can get.

Once all the pieces were together you wouldn't believe how heavy this became!  Yikes! I was shocked and knew if it turned out it was going to have to be washed to give it some 'drape'!


I used lighter squares for the filler on the outside, added an inside border of white, and then a final border using squares.  I didn't use interfacing for the outside border, I wanted to finish it at this point with little or no fussing.

It was time to quilt this sucker!  I used Aurifil white, black, pink and cream for the pebbles.  It went surprisingly fast and I was pleased with the results.  


The rest of the quilting, organic straight lines.  


A little plaid action in the corners just for fun!


The back has the 'spirit' of the ghost, which I love!  You can also see the piece scrappy binding.  Visual interest as they say!


Oh my goodness!  I actually finished it!  


I was so excited that I forgot to add my usual hanging corners on the back!

Eight problem:  Hanging method, don't forget!


Since my discovery of the Sew Mama Sew tutorial, there have been advances on this technique. Such as interfacing with a grid.  I've never used or seen it, but I've heard about it. 

My thoughts: 
Would I do it again?  Yes, maybe!  Even with all the pitfalls, it was still fun. 
Would I use 1" squares again?  No.  Too, too tiny!  I thought it would be more accurate for such small squares.  Mostly it was, but I think I could have achieved the same thing piecing strips of fabric, and by doing so not have the problem with the seams.

I found that no matter how careful you are at marking a grid and cutting 1" squares...it will be off.   

Would I use pieced interfacing again?  No.  When piecing sections together you would be surprised at how easily and how much your squares don't line up.   

The seams.  I don't even know what to say about those.  I choose to press them open.  I know others have not.  I'm left wondering what would happen if I used a 3/8" seam and then rotary cut the fold off, would that work?  Would it be easier?    

The stats on this little puppy:
Finished: 18" x 16"
Ghost/Center has: 672 ~ 1/2" squares
Border has: 126 ~ 1/2" squares
For a total of: 798 

Call me crazy!!


LINKING:


Needle & Foot
TGIFF

Sunday, October 2, 2016

Get The Point :: Wall Hanging

I mentioned last week that I was well on my way of completing a challenge:  Round Elements & Square Trouble.  Afton who blogs @Quilting Mod, asked for volunteers to 'compete' in a challenge using Art Gallery 'Round Elements'.  She supplied a rainbow of fat eights and basically, left the design up to us!

I will admit that I used this challenge in a very selfish way.  Naturally I was excited about the fabric, but I felt like it would be so much fun to use with my Star Thistle block.


'GET THE POINT'
23" x 23"
Truth be told, I'm not ready to put this block to bed!  I see so many possibilities with it and feel like exploring them!  So, I came up with 'Get The Point'.  Besides using the Star Thistle block, I created an additional block for the on-point frame.  



I wanted to explore the frame aspect of the block.  I decided to use a light grey for the center and bring a darker different shade of grey radiating out.  The centers of the blocks are a really dark grey that was also used in the final on-point frame.  



You can see the shade variations here.  Light grey to a black border.  Too bad about that dark grey looking black!



The original block was comprised of (4) 6" blocks to make one 12" block.  This time I reduced the block size, making the center block 8" finished.  

  

This quilt screamed loud and clear that geometric quilting was the only way to go, so I naturally obliged!  Aurifil off-white thread...only!  I have to say I feel like I used a lot of restraint in the quilting.  I didn't quilt on any of the colors, not one section!  

  

The back shows what I'm talking about!  Restraint!  There are times when it's needed, when it's called for.  



I really like how this turned out.  I had no idea when I first designed the block that it would have so many possibilities.  

  

Thank you Afton for the fun challenge and the fabulous fabric!  I'm excited to see what the other competitors came up with!  

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